Tuesday 17 October 2017

A Statement to LIVE and WORK by | Final

Who am I as a designer? During my presentation I acknowledged and expressed how my own personal works tend to have lots of depth and meaning, as I like to use my skills as a visual communication designer to provoke thought and expose social issues. I have identified my own personal reasons to why I have a passionate approach towards social equality (as identified in my previous post, click here to read) so that I can better understand where this drive comes from and why am I this way as a designer as well as a human. I also feel that as a millennial, we are the future generation and we have the power and voices to be heard if we want ideologies to be altered. Expanding on this, I feel as though my generation are more exposed to issues than previous, due to the internet playing a dominating role within our age. We are able to speak anonymously (or not) and freely, to reach an intercontinental audience with information and opinions, which is a unique aspect compared to previous generations.


For this project I began with basic, standard manifestos - a set of rules that I will aim and aspire to follow throughout the remainder of my time at university as well as my life. However I felt that these manifestos/rules were too standard and didn't say anything about me personally, as a unique and individual designer or what I stand for. Thus recapping on my presentation where I identified that social issues tend to drive most of my more passionate works, I realised that this project and any project from here on shouldn't be any different.

Letting my social activist side take over, I began to write a list of rules that have been set in place due to my gender, class and race, that I feel I am forever trying to break. I always feel the pressure of intersectionality, as every aspect of my identity overlaps with a minority class, such as my gender and ethnicity. These invisible rules that no one talks about but we feel subconsciously pressured to follow have been clearly listed within my piece.

I wanted to spotlight these invisible rules so that they could be reviewed and made visible, so that we can consciously be aware of the perimeters set by those who do not feel the constraints of a minority identity and a society that wants to keep 'us' within our lower position.

I was inspired by the Guerrilla Girls and their use of witty copy to expose issues within the Art community, so as millennial, who's childhood was shaped by the rise of technology, I opted for a list of Terms and Conditions as I am targeting my piece towards a likewise generation who have the power to promote change within our future, and this is a common colloquial that we speak. Utilising this vernacular I then outlined the rules of our oppression that I wanted to expose. Terms and Conditions are a formality that everyone tends to ignore. We scroll straight to the bottom and click "I confirm" just so we can hit next. No one reviews them, and no one questions them; just like our assigned place within society.

A sans-serif typeface is often used when outlining Terms and Conditions, so I adopted this visual language to echo that, as well as to make my work as legible as possible, modern and also aesthetically 'stripped'. I want people to stop and read, not just glance and move on. The concept and subject matter of the information and the copy is stronger and more important than a pretty picture or an interpretation. I want to be as clear as possible and have no visual 'waffle'. By photocopying and printing this poster on standard copier paper in greyscale to redistribute around London, I am emitting a street-art, protest language to prove that power, money and/or status is not required to make a change and to expose issues.


I didn't want this to be a hate piece against those who may enforce these rules upon the lower members of society, so I refer to the force enforcing these rules as 'LIFE' and 'SOCIETY', even though our only rule set by life is to reproduce, evolve and die. Thus by 'LIFE' I do not mean in the biological natural sense, I mean life as in existing as a human within our current conditions.

The thought behind this piece is that when we are born we are instantly categorised and our identities set due to conditions beyond our control such as our sex, where our parents were born, where we are born, how much money our family earns etc. By being assigned a category before we are even born, 'SOCIETY' already assigns these sets of rules despite our wishes; thus my piece exposes not only the rules, but how we play no part in agreeing or disagreeing with our conditions or role within society.

My aim is to break these rules and encourage others to do the same. I want to amend the terms and conditions of 'LIFE' that was agreed to, not by me, but 'SOCIETY' due to conditions that were beyond anyones control. I aspire to be outspoken, bold, loud, fearless. I want to shake the hierarchy and turn it on its side. We are all humans. There is no biological food chain amongst us. Naturally we are all equal in terms of prey and predator, so I want to expose this unnatural hierarchy that humans have self-enforced. My manifesto is that I want to deface the rules (terms and conditions) imposed on me due to my position within this hierarchy and I hope to encourage others to do the same.

Monday 16 October 2017

A Statement to Live and Work by | WIP

I live by many manifestos; we all do even if you don't notice it or are consciously aware. It's a subconscious ideology that can be found within your depths, thus when you look internally you can begin to understand and analyse why you do some of the things that you do.

I originate from a working class background, I am a female, I am mixed race and I assist with the care of a disabled member within my family. I am the complete opposition of white supremacy, neo-Nazism and obviously 'male privilege' - whatever that is.

Being the underdog voiced in many 'ideal' ideologies, I often felt these pressures, especially whilst at school, as children can be pretty mean and have no filter, voicing their confusion for something that they don't understand, doesn't appear to be the 'norm' or they just want to question. This made me question myself. I questioned my ethnicity, my hair colour, my features, my 'abnormalities'. I disregarded 50% of my ethnicity and replaced it with a more socially acceptable alternative - my Swiss/Italian decent. I became ashamed of being considered a 'paki' due to having a parent from India  and I also became fed up of being a female and all of the things that came with it.

Guys would disrespect me by sexually objectifying me and I went through a period of feeling no self-worth. I've always felt like I had something to prove. I had to prove that I was more than a 'paki', more than a sexual object, more than a 7/10 or whatever they wanted to label me that day and additionally I was fed up of being poor and being subtracted from many activities. This anger, turned into my feisty and fierce ambition to constantly improve myself, learn and grow so that I can validate my worth with my brain and my skills beyond my external features.

Analysing this honesty, I can now pin point why I feel strongly towards social activism and why I am a strong advocate of equal rights. We are not our skin colour, our gender, our class, our physical abilities. We are intelligent humans and there shouldn't be a hierarchy amongst us, we are already at the top of the food chain, so why are we making a food chain within ourselves? Categorising some humans as prey and some as predator. We are all the same, our only differences being environmental variables.

My manifestos are that I will not do what this ridiculous hierarchy expects me to do, as essentially, like many others I am at the bottom of the pecking order. I will acknowledge issues. I will voice my opinions. I will be loud and bold. I will make my own identity. I will be fearless. I will be ambitious. I will take risks. I will cross boundaries and borders.


Tuesday 10 October 2017

Driving - Krazee Ft. Maze | (Official Music Video)

Watch Krazee's new video for "Driving".
The new EP #4 is Available Now on Spotify http://spoti.fi/2hQN2Ho.

Music video by © 2017 Sophia Sargeant



Monday 9 October 2017

Personal Projects

If you read my previous post, you would know that I had some issues between creating art because I love it, and creating art because I was paid to do so. You can get very seduced by the world of design and your clients (not literally of course), and so you end up saying yes to every project, and wearing yourself and your creative spark, out. The issue with working is that you very much spend your day creating what other people want you to create, and you forget what it is that YOU want to create. My summer was packed with assignments which I am entirely grateful for, but I had little time to do my own thing. Luckily, I'm a fast worker, and I have a good relationship with one of the agencies that I work for, and so when I had completed what needed to be done and I had some free time, I picked up the nearest tools around me - a biro pen and some paper - and I began drawing.


I don't think I have ever drawn seriously with a pen before. I have only ever done quick sketches and 'scribble' drawings (my lazy, faster version of cross hatching). So I discovered a new skill that I didn't know I had, and I just drew things that I admire and enjoy. I used to create a lot of fashion illustrations when I was younger, but until now it's probably been around 3 years since I last created anything within my personal work related to fashion.

I'm not going to lie, I love these drawings. They reflect my personal aesthetic which is often high contrast black and white and quite sleek. They match perfectly with my own space now they have been framed, and they are designers and iconic pieces that I personal love and feel inspired/motivated by.

I did also pick up a pencil when I got home, and I created a 'mini' drawing, which is possibly around the size of an A6 card, but not the exact dimensions. I definitely want to do more of these, as they didn't take too long to do and they were quite therapeutic for me mentally and creatively.

I've missed drawing. I've missed loving fashion. And I've missed just sitting down with music blasting and letting my brain spill on a piece of paper with no deadline or second party to please. I 100% vow to do more work for myself in order to keep me sane and to ground me & my creative works back to who I am.

If you're interested in purchasing one of my drawings, I have set up a page where you can do so: http://sophiasargeant.bigcartel.com


Sunday 8 October 2017

It's been a while!

As the title suggests, it has been a hot minute since my last post. I have been enjoying the summer and just focussing on my work and personal projects without putting additional pressure on myself to turn it into something more. Sometimes I forget to create art for me, and I forget why I love it so much; but I'm glad to say I'm back with a fresh mind, the urge to create and the fire.

So lets do a quick recap/run down over the summer :



1. I saw my works on 5th Avenue in New York City - INSANE! I'm pretty sure the employee's in the store thought I was absolutely nuts!
More images and information can be found here: http://sophiasargeant.co.uk/karen-millen-ss17

2. I artwork the window designs for Selfridges on Oxford street which I am still in total shock about! These even featured in TimeOut - of course my name is no where in sight but that's not the point!
More images and information can be found here: 
http://sophiasargeant.co.uk/selfridges

3. I worked at a creative agency in Piccadilly Circus called Red Consultancy. I worked on a long list of clients and thoroughly enjoyed my time there as well as the location. The clients I worked on include:
Activision, Adobe, Aldi, Boots, Caterpillar inc., McDonalds, Robinsons, Slim Fast, Yodel and more.
More images and information can be found here:
http://sophiasargeant.co.uk/red-consultancy